Hikikomori — depression as rebellion?
The term NEET (Not in Education, Employment, or Training) is used to describe young people aged between 16 and 24 who are not in employment or training. In 2015, these were an estimated 6.5 million people in Europe. And worryingly, depending on the EU country, this could make up 10–20% of young people (Eurofound 2016). Data for 2021 are similar (Eurostat 2022).
NEET is firstly a statistical concept that says little about the alarming nature of this heterogeneous group and its situation. Far from statistics, one could distinguish three main groups: those who are somewhat disoriented; those who are temporarily out of touch; and finally, those who are deeply alienated (Williamson2010).
Hikikomori also belong to this deeply alienated last group. These are mainly young men in Japan who have no social contact outside their immediate family, often turning night into day and binging on vast amounts of manga, anime and e‑games. Although recognized as a social phenomenon, the border to the pathological becomes blurred. Depression and other mental illnesses are both cause and effect. “I can go out if I want to”, they say, “but I don’t want to” […] They are the hermits of modernity (Igort 2018, p. 128).
Some sociologists see the behaviour of the Hikikomori as a form of rebellion against the pressures of adult society to which they have been exposed since childhood (Furlong 2008). As established forms of youth subculture survive in ’Peter Pan’ adults and new forms are difficult to assert in anti-authoritarian societies, the only counterculture seems to be total withdrawal. Paradoxically, young people perceive (self-)exclusion from society as an assertion of freedom. Going into jihad maybe the only other alternative to leaving adults in western cultures gobsmacked.
In recent years, Hikikomori have also received growing attention in Europe, especially in France, Italy and Great Britain. Both feature films (e.g. by Sophie Attelann) or documentary (e.g. by David Beautru and Dorothée Lorang) are a testament to this. In Japan, of the new concept of“Rental Sisters”, social companions for hire, is showing its first success in dealing with Hikikomori and is creating a fascinating new professional group that focuses entirely on social and emotional intelligence as its core competence.
In the political and scientific debate about NEET, however, Japanese Hikikomori have hardly played a role so far. Unjustly so. On the one hand, one has to assume that a significant part of NEET youth exists in Europe in a similar, often identical situation, in addition there is probably a detectable amount of Hikikomori in all of us, not only in times of Covid-19.
References:
Eurofound. (2016). Exploring the diversity of NEETs. Luxembourg: Publications Office of the European Union.
Eurostat (2022). Statistics explained. Statistics on young people neither in employment nor in education or training.
Furlong, A. (2008). The Japanese hikikomori phenomenon: acute social withdrawal among young people. The sociological review, 56(2), 309–325.
Igort. (2018). Reports from Japan. An illustrator on the move. Berlin: Reproduct.
Williamson, H. (2010). Delivering a ‘NEET’ solution: an essay on an apparently intractable problem. In S. Upton (Ed.), Engaging Wales’ disengaged youth: (pp. 7–20). Cardiff: Institute of Welsh Affairs.
David Beautru and Dorothée Lorang, Hikikomori - à l'écoute du silence, France 2013, Trailer, English Subtitles
Sophie Attelann, Hikikomori, France 2018, Teaser, French with English Subtitles
Amelia Martyn-Hemphill, Rent-a-sister: Coaxing Japan’s hikikomori men out of their bedrooms, BBC News, 2019, English, 13min
Euronews, Cut off from society: Japan's hikikomori, 2018, English, 5min
David Beautru and Dorothée Lorang, Hikikomori - à l'écoute du silence, France 2013, Filmstill
© Vivement Lundi!
Hikikomori — depression as rebellion?
The term NEET (Not in Education, Employment, or Training) is used to describe young people aged between 16 and 24 who are not in employment or training. In 2015, these were an estimated 6.5 million people in Europe. And worryingly, depending on the EU country, this could make up 10–20% of young people (Eurofound 2016). Data for 2021 are similar (Eurostat 2022).
NEET is firstly a statistical concept that says little about the alarming nature of this heterogeneous group and its situation. Far from statistics, one could distinguish three main groups: those who are somewhat disoriented; those who are temporarily out of touch; and finally, those who are deeply alienated (Williamson2010).
Hikikomori also belong to this deeply alienated last group. These are mainly young men in Japan who have no social contact outside their immediate family, often turning night into day and binging on vast amounts of manga, anime and e‑games. Although recognized as a social phenomenon, the border to the pathological becomes blurred. Depression and other mental illnesses are both cause and effect. “I can go out if I want to”, they say, “but I don’t want to” […] They are the hermits of modernity (Igort 2018, p. 128).
Some sociologists see the behaviour of the Hikikomori as a form of rebellion against the pressures of adult society to which they have been exposed since childhood (Furlong 2008). As established forms of youth subculture survive in ’Peter Pan’ adults and new forms are difficult to assert in anti-authoritarian societies, the only counterculture seems to be total withdrawal. Paradoxically, young people perceive (self-)exclusion from society as an assertion of freedom. Going into jihad maybe the only other alternative to leaving adults in western cultures gobsmacked.
In recent years, Hikikomori have also received growing attention in Europe, especially in France, Italy and Great Britain. Both feature films (e.g. by Sophie Attelann) or documentary (e.g. by David Beautru and Dorothée Lorang) are a testament to this. In Japan, of the new concept of“Rental Sisters”, social companions for hire, is showing its first success in dealing with Hikikomori and is creating a fascinating new professional group that focuses entirely on social and emotional intelligence as its core competence.
In the political and scientific debate about NEET, however, Japanese Hikikomori have hardly played a role so far. Unjustly so. On the one hand, one has to assume that a significant part of NEET youth exists in Europe in a similar, often identical situation, in addition there is probably a detectable amount of Hikikomori in all of us, not only in times of Covid-19.
References:
Eurofound. (2016). Exploring the diversity of NEETs. Luxembourg: Publications Office of the European Union.
Eurostat (2022). Statistics explained. Statistics on young people neither in employment nor in education or training.
Furlong, A. (2008). The Japanese hikikomori phenomenon: acute social withdrawal among young people. The sociological review, 56(2), 309–325.
Igort. (2018). Reports from Japan. An illustrator on the move. Berlin: Reproduct.
Williamson, H. (2010). Delivering a ‘NEET’ solution: an essay on an apparently intractable problem. In S. Upton (Ed.), Engaging Wales’ disengaged youth: (pp. 7–20). Cardiff: Institute of Welsh Affairs.
David Beautru and Dorothée Lorang, Hikikomori - à l'écoute du silence, France 2013, Trailer, English Subtitles
Sophie Attelann, Hikikomori, France 2018, Teaser, French with English Subtitles
Amelia Martyn-Hemphill, Rent-a-sister: Coaxing Japan’s hikikomori men out of their bedrooms, BBC News, 2019, English, 13min
Euronews, Cut off from society: Japan's hikikomori, 2018, English, 5min
David Beautru and Dorothée Lorang, Hikikomori - à l'écoute du silence, France 2013, Filmstill
© Vivement Lundi!
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About this blog
By selecting a film or an image, this blog literally illustrates the vast sphere of work, employment & education in an open collection of academic, artistic and also anecdotal findings.
About us
Konrad Wakolbinger makes documentary films about work and life. Jörg Markowitsch does research on education and work. They are both based in Vienna. Information on guest authors can be found in their corresponding articles.
More about
Interested in more? Find recommendations on relevant festivals, film collections and literature here.
About this blog
With picking a film or an image, this blog literally illustrates the vast sphere of work, employment & education in an open collection of academic, artistic and also anecdotal findings.
About us
Konrad Wakolbinger makes documentary films about work and life. Jörg Markowitsch does research on education and work. We both work in Vienna. Information on guest authors can be found in their respective articles.
More about
Interested in more? Find recommendations on relevant festivals, film collections and literature here.