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  • Das Filmbild als de-sub­jek­ti­vie­ren­de Kraft, oder Klas­sen­bil­dung im Film

    The work of art is to dominate the spectator: the spectator is not to dominate the work of art. The spectator is to be receptive. He is to be the violin on which the master is to play. (Oscar Wilde, The Soul of Man Under Socialism)

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